Portrait of Joseph Roulin is a great example of that idea. As he elaborated, I want to paint men and women with that something of the eternal which the halo used to symbolize, and which we try to convey by the actual radiance and vibration of our coloring. In another letter van Gogh sent to his brother Theo, he wrote that of all subjects, the modern portrait excited him the most. In the hands, face and even the brushstrokes of the blue uniform, the viewer senses a man conscious of being watched. In a letter to Theo he describes him as ‘a man who. Van Gogh went there frequently to send paintings to his brother Theo in the Netherlands and they became close friends. Close friends Joseph Roulin worked as the postmaster at the station in Arles. Kröller-Müller Museum Otterlo, Netherlands. But such a good fellow, so wise, so feeling and so faithful.īetween August 1888 and April 1889 van Gogh painted six consecutive portraits of Roulin, three of which had flowers in the background. The postman is portrayed in a frozen moment of time, but full of energy, all but buzzing with life. Portrait of Joseph Roulin Vincent van Gogh 1889. From Wikimedia Commons, the free media repository. In a letter to Theo he describes him as ‘a man who is. Kröller-Müller Museum Otterlo, Nederland. In a letter to Theo, Vincent describes his friend as:Ī man who is not bitter, not melancholy, not perfect, not happy and also not always perfectly honest. Portrait of the Postman Joseph Roulin (1888) van Gogh Getty.jpg. Portrait of Joseph Roulin Vincent van Gogh 1889. In 1888, van Gogh moved to Arles, a fifteen-hour. In a letter to Theo he describes him as ‘a man who is not bitter, not melancholy, not perfect, not happy and also not always perfectly honest. This portrait of Joseph Roulin is one of six that van Gogh painted of his close friend, a postal employee in the southern French town of Arles. ![]() He was seeing him in the psychiatric hospital in Arles, watching over him during his internment there, writing to his family to reassure them of his health, and providing constant solace to the recovering artist. Joseph Roulin worked as the postmaster at the station in Arles. When in 1888 after an argument with Gauguin, van Gogh underwent a psychotic episode in which he menaced his fellow artist and then sliced off a part of his own ear, Roulin tended to van Gogh in the aftermath of this incident. Van Gogh was drawn to Roulin’s distinctive facial features, his devotion to his wife and children, and to the exceptional kindness he demonstrated toward the artist. Portrait of the Postman, Joseph Roulin, April 1888 124 The Postman 64 The Potato Eaters 32, 37, 39,118, 133, 144, 157, 168 Rain-Auvers 70 The. ![]() Vincent van Gogh Portrait of Joseph Roulin Arles, early 1889, MoMA, New York.
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